Writing trouble; Trouble writing

Finding it hard to write. To focus and shake down an idea for the insights it offers.

That’s a very extractive take on a practice that ideally seeks to be generative. Yet, here we are. Here I am.

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I don’t write because anyone has asked me to. I write to let go of things, to exhale my concerns or at least breathe through them. I would love to believe that my writing has nothing to do with sales. But social capital is capital; a currency. Writing can be a way to build social capital which leads to other opportunities to expand reach and influence. Appearing publicly means participating in a specific economy of attention, of favor, of visibility. When I write publicly – when I blog, tweet, newsletter – I am negotiating attention, favor and visibility. I am both spending and accruing social capital.

I listen to other writers. I hear their wisdom, envy their capacity to say so many things I wish I could say, too. Colson Whitehead says we should write the things that scare us the most which is hard. But what’s the point of doing it if it’s going to be easy? he adds. I am a scaredy cat writer. It’s not that I’m harboring great secrets that I dare not tell but I know, for now, pretty well, what I’m not gonna do. Remember that social capital? Part of playing the game is limiting the risk of losing that capital. Reducing the risk of falling out of favor. Hedging against the danger of disappearing or being disappeared.

Writing as trouble. Writing to trouble. I do these things but usually so politely. I choose my words carefully, resisting the impulse to offend. “I” and “we” are my preferred pronouns. Call it a humility strategy. Never wanting to get “too big for my britches” I stay contained, restrained, palatable. If I hold stock in anything, my portfolio runs deep in respectability. My good girl legacy remains in tact. Even if social capital is contingent, I suppose I came to this particular marketplace with a certain endowment comprised of an elite educational pedigree and a rich collection of professional connections. I’m a conservative investor. I imagine I’m playing the long game.

And we have to ask for what? What is this capitalist rumination on a practice at once globally irrelevant, yet potentially contextually meaningful? Illusions exist. Which is to say, yes, I have illusions, perhaps like every other person who writes, who creates, who persists in showing up. I have the illusion that some words matter. I have the illusion that my words can matter sometimes to some people. Sometimes I have the illusion that writing matters. I have the illusion that my writing matters.

How do we engage in a capitalist framework based on scarcity, extraction and fear and still expect to create beauty for ourselves and those we love? How do we resist the deadly pull to produce and become content (I hate that word) in an economy that tells us we’re only as valuable as our last big click generator? Even as I quietly and civilly rage against the machine, it’s impossible not to notice how it eats me and feeds me back to myself. It’s an ugly process made to look sleek and appealing. It’s a wildly efficient robbery; always underway where everyone’s a perpetrator and witness at the same time. We stay busy. We stay busied.

Writing trouble, writing trouble; trouble writing, trouble writing. Where is the emphasis? What seems to be the trouble? The trouble is neither paucity nor order of words; trouble defines the context into which the words are released. The trouble is the world we inhabit. The trouble is in the world we’ve created. The trouble is in us. The trouble is us. We are the trouble. The writing speaks of trouble. The writing shows the trouble. Trouble shapes the writing. The writing consumes trouble. Trouble consumes the writing. Writing made of trouble. Writing made for trouble. Writing trouble is not the same as trouble writing. Troubling trouble while writing writing, we create an illusion. Maybe it matters. Trouble writing no longer an illusion but a fact.

Repeating, repeating, repeating, repeating, repeating. Repetition may not save us. Repetition, though, shows us patterns. Repetition can help us see and then unsee. Help us hear and then unhear. Repetition can take us to clarity. Kicking and screaming, if necessary. Repetition got patience. Repetition can hold the note. Repetition will wait you out. Repetition been down this road before. Repetition ain’t afraid of you. Repetition knows its purpose. Repetition never forgets. Repetition is a song that keeps singing. Repetition is a beat that keeps beating. Repetition is a breath that keeps breathing. Repetition is neither the beginning or the end. Repetition keeps going. Sometimes we need to follow.

Writing here, now, becomes a release valve. A relief release. A loosening of the shoulders, an unclenching of the jaw. I am not free but at ease. It’s a start, a return, a diversion, a turn, an entry, a temporary arrival.